THAT WAS THE 1990s -
PART FOUR (THE TOP TEN SCI-FI MOVIES OF THE DECADE)
The 1990s gave science fiction cinema one word: CGI. CGI, or Computer Graphic
Imaging, changed everything in cinema. Enormous advances in this field made it
possible for film-makers to create worlds unlike any we have ever seen on the
big screen - and for much cheaper than before.
The first inkling of the possibilities of this new technology was to be to be
found in the liquid creature in Cameron's 1989 The Abyss. Because of the film's
poor box office showing however, for most audience members their first glimpse
of what was to come was the liquid metal man hunting down Arnie in the hugely
popular Terminator 2 - Judgment Day.
As usual George Lucas' ILM (Industrial Light and Magic) led the way in this
new special effects arena, as it had also led in other new technologies in
the 1980s. (Another movie to use computer graphics by ILM was Star Trek II - The
Wrath of Khan). ILM did the effects for both the Cameron movies.
The best was however yet to come: Spielberg's 1993
Jurassic Park was perhaps the
culmination of what the new technology was capable of. From there on it was only
a question of time before Lucas decided that technology can finally visualize the worlds he wanted to present in the new
Star Wars movies and the decade ended
with his Phantom Menace: thus CGI went from making dinosaurs walk the earth
again to full-blown civilizations teeming with extraterrestrial life within the
space of a few years.
CGI was unfortunately also the scourge of cinema in the 1990s. Jurassic Park
is a good example when compared to Spielberg's earlier Jaws. Whereas Jaws
focused on the human elements and seldom actually showed the killer shark, it
was a much better movie than Jurassic Park, in which the human characters served
as mere additional props in the special effects extravaganza. The end result?
Jaws is ultimately a better movie than Jurassic Park: we cared for the
characters and what happened to them, making the movie much scarier than the
packed dino lunches in Jurassic Park and its sequel, The Lost
World.
Despite overshadowing the actors in movies, the truth is that some CGI
effects - especially when used for its own sake instead of merely advancing the
story - were terrible! Bits from Spawn looked like something out of a cheap
computer game and hardly realistic at all. Even Cameron's Titanic had
some creaky CGI shots. Compare some CGI rendered shots in Titanic to the early
1970s Tora Tora Tora movie (about the Pearl Harbour Attack): there can be
no substitute for clever model work it seems.
Hopefully in the future film-makers will be less enamored of their new
plaything and focus on realistic special effects instead of effects pointing out
attention to itself . . .

THE SCI-FI MOVIE PAGE'S TOP TEN OF THE DECADE
-
12 Monkeys
-
The Matrix
-
Starship Troopers
-
Contact
-
Strange Days
-
Dark City
-
Terminator 2 - Judgment Day
-
Star Trek - First Contact
-
Total Recall
-
Cube
(No re-releases such as
Blade
Runner - The Director's Cut or Star Wars -
Special Edition were considered for this list.)

THE SCI-FI MOVIE PAGE'S WORST OF THE 1990s
-
Highlander 2
-
Memoirs of an Invisible Man
-
RoboCop 3
-
Highlander 3
-
Batman Forever
-
Lawnmover Man 2
-
Batman & Robin
-
Species 2
-
Universal Soldier - The
Return
-
Wing Commander

And here's the decade's best according to some vistors:
-
Independence Day (1996)
-
Terminator 2: Judgement Day (1992)
-
The Matrix (1999)
-
Star Trek VI: The Undiscovered Country (1991)
-
Starship Troopers (1997)
-
Star Wars Episode I: The Phantom Menace (1999)
-
Armageddon (1998)
-
Men In Black (1997)
-
Time Cop (1994)
-
Contact (1997)
(Bryan Bracke)
-
Cube
(High-tech Hellraiser meets Kafka)
-
Alien 3 (Beautifully dreary and depressing Alien Saga
nadir; aka the $55 million art
film)
-
Terminator 2: Judgment Day
(Coolest robot villain ever)
-
Contact
(Believable, inoffensive, workmanlike SF film)
-
The Matrix
(Best glamourisation of violence ever made)
-
Alien Resurrection (Pretty and funny French spin on the
Alien Saga; aka the $80 million foreign
film)
-
The Ghost in the Shell (Cleanly-drawn and engaging sober
anime
flick)
-
Total Recall
(Colourful Schwarzennegerian shenanigans)
-
The Lawnmower Man - Director's Cut (Likeable and blandly
intriguing as one of the earlier VR
films)
-
Starship Troopers (Satirical massacre of the superior
Heinlein
novel)
(KC)
-
12 Monkeys
-
Terminator 2: Judgment Day
-
The Matrix
-
Star Trek 6: The Undicovered Country
-
Back to the Future 2
(Chris)
Agree? Disagree? Then contact
me with your opinions or have it out on our discussion
chatroom . . .

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