GRINDHOUSE
PRESENTS, PLANET TERROR - EXTENDED AND UNRATED (TWO-DISC SPECIAL EDITION)
(2007)

Grindhouse Presents, Planet Terror - Extended and Unrated (Two-Disc
Special Edition) (2007)
Actors: Rose McGowan, Freddy Rodriguez
Format: Closed-captioned, Color, Director's Cut, Widescreen, NTSC
Language: English
Region: Region 1 (U.S. and Canada only)
Aspect Ratio: 2.35:1
Number of discs: 2
Rating UNRATED
Studio: The Weinstein Company
DVD Release Date: October 16, 2007
Run Time: 105 minutes
Special Features:
- Feature Length Audio
Commentary By Writer/Director Robert Rodriguez
- Audience Screening
Track
- 10 Minute Film School
- Sickos, Bullets And
Explosions: The Stunts Of Planet Terror
- The Badass Babes Of
Planet Terror
- Casting Robert
Rodriguez’s Son Rebel
- The Guys Of Planet
Terror
- The Friend, The Doctor
And The Real Estate Agent
- International Poster
Gallery and International Trailer
Movie:
   
Disc:
   
You
know post-modern self-awareness has probably gone too far when film-makers
consciously set out to make bad films. Or at least “so-bad-it’s-good” films.
In this case action director Robert Rodriguez of Sin City and
Desperado fame and Quentin Tarantino (Pulp Fiction) sought to
replicate the whole “grindhouse” cinema effect with a movie called
Grindhouse.
Grindhouses were cheap
cinemas in the 1970s which showed B-rate exploitation flicks all day long
—
usually in the form of double bills. (An interesting and funny introduction
to the whole grindhouse phenomenon is a documentary named
Mau Mau Sex Sex which is highly recommended.)
Grindhouse (the movie) consisted of a “double bill” of two movies,
namely Death Proof and Planet Terror. The cinema prints of
both movies were deliberately “aged” with scratches, faded colors and so
forth to replicate the whole watching a battered print at a grindhouse
cinema effect. Planet Terror actually has a faux trailer before the
movie itself starts (it is quite funny and very reminiscent of those 1970’s
action flicks) for a fictional movie titled Machete.
It even has a deliberately “missing reel,” letting the audience fill in the
dots between scenes themselves. The DVD, by the way, goes one step further:
you can select an audio track that replicates the cinema experience – you
can hear an audience jeering and a guy eating pop corn in the seat next to
you.
Death Proof starred Kurt Russell as a serial killer who drives a
1970s muscle car and targeted young women
—
that is, until a group of them fights back.
In Planet Terror
—
Rodriguez’s flick
—
cannibalistic zombies overrun a small town when a top secret virus is set
loose at the nearby military base. The gore and violence is way over the top
with some scenes directly stealing from movies such as
The Thing, Evil Dead and
Total Recall.
The most notable image from the
movie is of a sexy Rose McGowan as an amputee with a machine gun as a
prosthetic. Sensitive viewers should take care to avoid it. It stars several
Rodriguez regulars and Bruce Willis in a small cameo. Watching it is like
watching some forgotten straight-to-video effort from the early 1980’s
—
the movie John Carpenter or Paul Verhoeven never got to make. Highly
stylized and reminiscent of B-movies from that era, the color palettes are
often a sickly green with a dated synth music score (of the sort Carpenter’s
films were noted for) on the soundtrack.
Cinema audiences however never got the joke as the whole “grindhouse”
experience was as alien to today’s young teenaged audiences that frequent
today’s multiplexes as were the concept of a drive-in.
There were many incidents of audience members not realizing that the movie
consisted of a double bill and leaving the cinemas before the second feature
started. Cinema owners weren’t too happy at the film’s long running time
either and didn’t go to any trouble to keep the movie running when the film
proved to be a box office disappointment.
For
the non-US. market (as well as the DVD release) it was thus decided to
market and release the two movies separately. Thus with padded running times
Death Proof and now Planet Terror are released as separate
movies. All that remains of the whole “grindhouse” title is the “Grindhouse
presents” moniker.
Back when Grindhouse
was released as one feature in the cinemas director Tarantino remarked on
the film’s odd concept that audiences were desperate for something fresh,
new and different. It would seems that he was wrong however as Grindhouse
proved to be a major box office disappointment.
THE DISC: The movie plus audio commentaries are to be found on the
first disc. As stated previously, the film print has been deliberately aged
to look much older than it is with all kinds of scratches, splotches, color
fades and the like.
The second disc is filled with behind-the-scenes making of featurettes and
interviews with the various actors and creative people involved.
Unfortunately no time is spent on explaining the whole “grindhouse”
phenomenon and inspiration to any newbies. But it is interesting
—
and ironic!
—
to see how 2000’s high-tech computer technology is used to replicate a
low-tech early 1980’s B-grade look and feel to the movie.
WORTH IT? Gory and over-the-top violent, Planet Terror is a
one joke movie. Luckily that joke doesn’t wear too thin as the movie slowly
escalates its over-the-top action and instead of going for broke right away
only gradually becomes a gloriously (albeit at times faded) Technicolor
cartoon. Still, one wishes at times that maybe Tarantino did rewrite chores
on the script to inject some of his trademark pop cultural witticisms into
the proceedings.
RECOMMENDATION: Worth a look-see, particularly if you miss those
genuine early 1980’s B-grade straight-to-video efforts from that era’s home
video boom.
If you’re interested in the real grindhouse thing, then check out the
excellent Mau Mau Sex Sex before checking out either this movie or
Death Proof.
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